~`~`~`~`~`~`~`~`~`~`~`~`~`~`~`~`

Hi everyone,
Its Shinji from DMBQ/Boredoms here. I am writing to my friends who is living in US and other countries. As you know, Japan’s most powerful earthquake since records began has struck the north-east coast, triggering a massive tsunami. Fortunately I am OK because I am living in Osaka, but now the damage situation is gradually clarified.
So many our friends, friend’s of friend, friend’s family, musicians, people who work in music venue, etc… a lot of people who we know were struck. And communications are almost 100% down in northeast japan still. Friends who were staying in northern Japan to have a show etc,, can not come back to their home and now they are in the
refuge where the acquaintance doesn’t exist.
Plus, Tokyo’s electricity will be cut off gradually from tomorrow. Even railway will be 50% running and now gasoline is almost empty in Tokyo, means Tokyo’s economy will be down. The food scarcity has already started because the factory cannot operate.
Please help them. Volunteer’s acceptance has not been begun yet. We want to send relief and condolence donation directly to people and north-east Japan’s music scene in future. Please send donation or organize benefits show in your town for them.
Please Cc-ing this email to your artist friends too.
Please send donations via paypal:
dmbq@dmbq.net
Shinji Masuko DMBQ/Boredoms

ALMS live in-studio performance

2011-03-07T10:50:00.000-08:00

Listen to Alms performance on Overnight Freeform Sat.March 5th 2-6am

with host Mateo Galindo Overnight Freekform

New Mexico on the go

2011-03-06T13:36:00.000-08:00

Spring is the time for touring. Two of NM's talented groups, A Hawk and A Hacksaw and Tenderizor will be on a similar but very different journey. If you are close, get closer.

AHAAH

West Coast 2011 Tour Dates

March 2011

Tues 1 TUCSON, SOLAR CULTURE

Wed 2 LOS ANGELES, SATELLITE

Thurs 3 SAN FRANCISCO, CAFE DU NORD

Sat 5 PORTLAND, MISSISSIPPI STUDIOS

Sun 6 SEATTLE, TRACTOR TAVERN

Tues 8 SALT LAKE CITY, URBAN LOUNGE

Wed 9 HI-DIVE, DENVER

Thurs 10 EL RITO (NM), EL RITO LIBRARY

Fri 11 ALBUQUERQUE, OUTPOST

Sat 12 ALBUQUERQUE, OUTPOSt

Tenderizor

Thurs 3/10: Flagstaff,AZ - THE BIG HOUSE - 823 W Clay Ave
Sat 3/12: Portland, OR- PLAN B w/LAST EMPIRE, ORDER OF THE GASH, DARK BLACK
Sun 3/13: Portland, OR - REED COLLEGE w/ TREES and BOOR BAAR
Mon 3/14: Arcata, CA - THE ALIBI
Tues 3/15: Oakland, CA - THE STORKCLUB w/ASADA MESSIAH
Wed 3/16: Los Angeles, CA - F-HAUS - w/UPSILON ACRUX and HARASSÖR.
Fri 3/18: Phoenix - TRIBE HOUSE - 2238 N 24th S

Film Score Nite Returns! - ALL FOR NOW soundtracking Martha Colburn's Films

2011-03-04T09:58:00.000-08:00

March 6th, Sunday 7:30pm only!
Martha Colburn, John Dieterich and Thollem McDonas - Timeless - 70m - $7 for the night!

An evening of animated films by NY filmmaker Martha Colburn accompanied by All For Now. All for Now is guitarist John Dieterich from Deerhoof and virtuoso pianist Thollem McDonas, with special guest Raven Chacon. Together they will create a live soundtrack to Colburn's film 'Timeless' at New Mexico's only art house cinema, The Guild. THIS IS NOT TO BE MISSED

GONERS

2011-02-23T17:28:00.000-08:00

Greg Ginn & The Royal We

++++++++++++++++++++

Sabertooth Cavity

++++++++++++++++++++

Low Spirits, March 2nd 8pm

++++++++++++++++++++

Albuquerque, New Mexico

Alto Arizona

2011-02-23T17:15:00.000-08:00

Behind the Grind- Change up Mag

2011-02-22T08:57:00.000-08:00

Published on February 21, 2011 with

Ever get sick of hearing artists talk about how awesome it is to be caked up, sleeping with models, and generally living the dream? Welcome to Behind the Grind, a glimpse into the grind behind the artists who may not be tipping glasses with GaGa, but have the talent and motivation to rock the music industry.

Sabertooth Cavity is a self-described “marching noise rock band” out of Carlsbad, New Mexico, and this five piece knows how to write rock and roll like no other. It’s seriously its own breed of heavy riffing, pounding drums, thumping bass, and wild saxophone that’s guaranteed to make you stand up and rock out, even in it’s just in front of a mirror alone in your room.

The band’s most recent release, En Lak Ech (you are the other me), is truly something to lend your ears to. This record is twenty-seven minutes of the purest, loudest, fastest rock to be released in some time, and while it may knock you to the floor, you’ll want to spring back up for more of the goodness. The band creates an interesting hybrid that borrows from noise rock, fusion, classic metal, psych, and a million other rock and roll varieties to create a style that is both entirely accessible but at the same time just abrasive enough to have some real soul to it. They straddle the line very nicely, not going all metal on everyone so to speak, but maintaining a rock and roll genre balancing act that comes together very well. It really makes for some great “rock out so hard in your car that the people next to you stare in amazement” music.
Y Lis/nono/Con Safo by changeup
The five man brigade writes songs with some lyrics, songs without any, and opuses that have both instrumental sections as well as a verse or two thrown in for good measure. It doesn’t matter though, because all of the music will cut straight to your soul until you can no longer resist the temptation to tap your foot, or more likely, wildly swing your limbs in all directions.
The band likes to call their music “cut up music” or “collage rock”, while they seemingly resent being labeled “progressive”. The reasoning behind this is sound, as their music is pieced together from many different styles and section thrown together making a cohesive finished work, maintaining its rock and roll voice throughout. Progressive rock on the other hand, while once revolutionary, has fallen into many of the same cliches that alternative or indie rock has, and this band are doing something all their own.
The only way to get your hands on the album at this point, is from their bandcamp page, as the limited run of records and tapes has sold out. Sabertooth Cavity is a band to look out for in the future, as they plan to continue touring and even release another LP in 2011, and with the high-quality of their music, they have a lot of fans that don’t know who they are yet.
–
By David Schneider
http://www.changeupmag.com/blog/2011/02/21/behind-the-grind-sabertooth-cavity/

Mastermind #1

2011-02-22T08:36:00.000-08:00

Here is a great write up on our dear friend Sarah Slater. Click Here

The Return of Fando

2011-02-17T08:59:00.000-08:00

A/V EXP.

2011-02-16T18:45:00.000-08:00

2011-02-15T08:32:00.001-08:00

Small Engine:Big Room

2011-02-09T22:29:00.000-08:00

Sabertooth Cavity record release party.

with friends,

Baby Shampoo.

Occasional Detroit.

The Scrams.

8pm/Feb.12th/2011

1413 4th st. SW. Next to The Normal Gallery.

Small Engine

NEW Sabertooth Cavity LP now available!!!

2011-02-07T09:36:00.000-08:00

NEW!!!!
Sabertooth Cavity - En Lak Ech 12"LP (Sssk#52 co-released with Yesca label)

I've always been intrigued by this band: five guys who migrated from the Carlsbad Caverns to Albuquerque but never played together before. Overdriven cousin-guitars, a dented-sax, and a rhythm section so tight that it stretches.
The result is Jam, is in, jammed all up into one big spazzout.
Phenomenal live, still are the loudest boy-band in this desert.
Comes in a burlap sack so you can bury it.

Limited edition of 300. Includes digital download code.
$14.00 postage paid

ORDER FROM http://www.sicksicksickdistro.com/

sample here:
http://www.myspace.com/sabertoothcavity

The Up Shot 2/5/11 Smll Ngn

2011-02-05T13:41:00.000-08:00

New Artist.Same Window

2011-02-03T22:46:00.000-08:00

Ground Control:
New drawings and objects by Anna Reser
Opening reception Friday February 4
7:00pm

With
Baron Dwyer
(The triumphant return of) Dirty Pandas
Canyonlands
and friends (TBA)

smallenginespace.com
annafeather.tumblr.com

Small Engine
Window Space

Fred Frith - Hello Music

2011-01-20T16:26:00.000-08:00

Some of our most fave tunes

LEECHES OF LORE AT SMLL NGN

2011-01-18T20:10:00.000-08:00

bootleg video of the window show here--->----->http://www.youtube.com/user/3DCOYOTE505

Window Works

2011-01-11T09:25:00.000-08:00

Small Engine
Window Gallery

Creatures In Little Big Spaces
New drawings by Christoph Knerr
January 14-February 9, 2011
Opening Reception 6pm, Friday, January 14, 2011
1413 4th St SW, Barelas between Normal Gallery and The Petting Zoo.

with performances by

Leeches of Lore
Shoulder Voices
Great White Buffalo

Albuquerque,NM


small engine is a home for art and music that cannot be bought nor hung nor recorded.

Laura Ortman Cassette Release Party

2010-12-19T10:47:00.000-08:00

Wednesday, December 29 · 9:00pm - 11:30pm

Location: Small Engine Rez

1413 4th st sw, Albuquerque NM

ODNILA.G "MINGA" REVIEW//09

2010-12-19T10:44:00.000-08:00

" ... Odnila. G Minga is the side project of Matt Galindo from Sabertooth Cavity, one of Albuquerque NM’s forerunners of audio destruction. Their wall of sound approach has shaken the rust off of many venues in Albuquerque, which led me to pick up this cassette release.

I was lucky enough to have my ears rattled by Odnila.G Minga’s cassette release more recently, and I can say one thing; if you like guitar geekery, this is a record you have to check out. Recorded to 4 track cassette, it’s like a wall of guitars recorded in a cave full of screaming bats, on fire. Covered in Bees.

I wish I could give you a digital audio clip of this awesomeness, but honestly, it would lose the flavor. You need to get this one on Cassette and listen to it old-fashioned style to really understand the sound here. Ambient/noise/experimental music is very much about the tones beyond the music, and many of those only come out in analog recording, I feel..."

http://undergroundtrax.com/odnila-g-minga-double-a-side-cassette-60-quick-review

TAPES: SOLD OUT

YESKA #2 //split cassette

2010-12-14T10:47:00.000-08:00

TrashNasty by Odnila.G
For his third release, Odnila.G trades his guitars for shovels and uses drums as mics. Desolate, drones dug up from the earth, filtered through a one ton tin can. “TrashNasty” is electronic Future Folk that makes one wonder what instruments will be played by the fireside when all the guitars are used for firewood."

On the B-side is the debut of Rene Aguilera, bassist for ABQ rockers SabertoothCavity. “Paranoid Campaign” is a thicket of brutal bass improvisations for your ears. Crushing yet clean, low end for days.

Limited to 40 copies. $6 shipping included.

YESKA#2

Canal B review

2010-12-14T10:38:00.000-08:00

Une jeune formation d’Albuquerque nous fait partager son goût immodéré pour Arab on radar, Le prog rock et les Butthole Sufers. Tout n’est pas parfait mais le potentiel créatif de ces jeunes gens est assez exponentiel. A suivre donc

A young formation of Albuquerque makes us share his inordinate taste for Arab on radar, the prog rock and Butthole Sufers. Everything is not perfect but the creative potential of these young people is quite exponential. A follow therefore

http://www.canalb.fr/kerozene/1475

http://www.sabertoothcavity.bandcamp.com/

SABERTOOTH CAVITY- EN LAK ECH-YESKA #3

2010-11-06T10:53:00.000-07:00

VINYL BEING PRESSED.

TAPE SOLD OUT!

FULL ALBUM DIGITAL DOWLOAD AT BANDCAMP AVAILABLE

EASYDISCS 4 & 5

2009-09-27T13:39:00.000-07:00

Albert Ortega-Bent Parallax.
The first two songs off this album are from "Scrap Vessel" , a film by Jason Byrne that documents the death of a cargo ship, following its final treck. Its no wonder why these songs come to me in a form of isolation, vibrations from a vessels last sail at sea.Tonal meditations that go hand in hand with found footage and wide angle shots. Soundscapes of delayed fingers anxiously tapping at soft metal, or a phantoms prayer bowl echoing through a revolving door. Either way it is sound to close your eyes to and let the shadows navigate.

Raven Chacon-Music for Flute, Guitar & Amp; Outdoor Sine Wave
There are certain sounds that can take you back to a specific moment in time. The images are slightly hazy, but for a moment you are there. This sound is not one of those. As you listen to this recording it makes your mind move forward, not back. A wave that is gliding over a New Mexican vastness,not bothering to stop and mingle with the vultures. Take note of this electric/landscape/minimalist painting, you might not hear flute or guitar. I didn't, but then again I listened to it while driving through the desert. Funny things happen out there.
Recorded somewhere in New Mexico, 2009.

EasyDiscs is a CD-R label out of Portland OR, stared by musician Adam Reese. Its main mission is to release cheap and good looking material, without working to hard. Each album is limited to 96. Dressed in white.

8/29/09: HOUSE SHOW

2009-08-31T19:34:00.000-07:00

Ronoso: kicked off the night with a super tight and heavy set. The room did two things for them; it made them sound awesome, (no room for little things to be missed)and it made it super smelly. all of the senses were in action. Whispers of H1N1 spread as the bassist collapsed during the set.

Black Guys:

Blistering drone,

six amp melt down.

Playing Noise catch,

in the dark.

Pinkeye: A four piece band that has just started playing around ABQ. They had sort of an "Indie" sound with a groove, loud, soft, loud kinda thing. They had vocals but no PA, which means I have to see them again.

"Night Riffing"

Yellow Crystal Star / Black Guys - split c40 cassette "Rainbow Murder Michael Jackson " b/w "Minstrel Cycle" (Sssk#46, co-released with Hype Machine)

2009-08-31T18:00:00.000-07:00

SIDE//YELLOW
Jumpy start, until smoke fills the room. Bundles of sound ribbons decorated with hazy guitar echoing, superimposed mumblings drape the beginning of side Yellow . I turn the volume knob up. Vocal chants push my head further back into a pillow of vibrations. A search for light has begun, you question…did something surface? Or was it the glow of guitar pedals, and incense burning that was fucking with your head.
Sounds of a nomad at rest… only for a moment. Yellow Crystal Star gently filters his reality on to tape; a mash up sounds that make up a dream//road montage, different locations that feel the same, an endless search for something special. Maybe even spiritual. Includes all the places you wanted to visit, and even the ones you didn't. Let your ears see Yellow Crystal Star’s journey

SIDE//BLACK
DAMN, on and on they don’t stop. I think this is the only group in ABQ that is putting out a split tape, right after a retrospective album, right before a split vinly. All a page torn from a book, but a fucked up one that has pages from another fucked up book glued in it.
“Minstrel Cycle” is one of their finest releases, displaying their creative and compositional minds. There is definite interaction going on in this recording, which was recorded live at the Agency. Live,the show was brutally loud and abrasive; muthafucka’s with vibrator basses , shirtless drumstick guitaring, mouth-tube glitching chaos, which made for an excellent show. On tape however, I hear more textures of sound and more dynamics from the two. I finally HEARD it. You should defiantly too.

sicksicksickdistro.com

Free Pop Arkestra: "in cool time" FB #001

2009-07-29T10:36:00.000-07:00

"IN COOL TIME"

free(k)pop from the desert, 7" on mix colored vinyl. Released on full(y)blown,fully analog. Phased falsetto's rub against junky guitars, songs from a past captured now. A schizo-trio that makes up an Arkestra. These cat's got no place to be.

Odnila.G: Minga // SSSK #45

2009-07-25T11:07:00.000-07:00

NEW!!!
Sssk#45
Odnila.G - Minga - Double A-side cassette 60.

Odnila.G is the solo project of Matt Galindo, guitarist of prog-jammers Sabertooth Cavity and member of local big-band The Free Pop Arkestra. This tape, his second, is like that other universe where a young Carlos Santana finds a pitch-shifter and a dozen overdrive pedals and recorded an album but the tape went in reverse. Lo-fi doo-pop and guitar walls. Recorded to 4 track cassette. Indigenous music from the Carlsbad Caverns.

Limited to 50 copies.

$6.00 postage paid

order from here:
http://www.sicksicksickdistro.com
http://www.sicksicksickdistro.com
http://www.sicksicksickdistro.com
http://www.sicksicksickdistro.com
http://www.sicksicksickdistro.com
http://www.sicksicksickdistro.com

BALSAMIC GARDEN - THE OCEAN- Rhenium Records release

2009-07-10T12:41:00.000-07:00

First track "continent" opens with crashing reverb guitar strikes, slow languid things that drip you down into an acid western opium den. guitar continues, serpentine, american noir, shrugging off shy shallow snare n cymbal strikes, a slinking tomcat pushing nose into air defiant of time. the opioid groove is enough to push you back in your seat. several minutes into the eight minute-plus track i realize i've heard this somewhere before... neil young's soundtrack to "dead man" i think. by then the pure narcotic bliss induced has rendered me too ecstatic to consider whether its an homage or a rip-off. if hedonism itself could be transferred into a musical number, this track would take up a large chunk of the playing time.
second track "diving" comes off inversely-appropriately-

titled; the quiet ambiance quietly embraces you as if you've started off from the bottom of a cousteau dive and are very slowly bubbling up through mollusks and jellyfish towards a surface too distant to quite catch a glimpse of. the sounds defy a clarification of instrumentation, though i suspect it continues to be a guitar-delay-reverb combination. closing my eyes, i easily picture myself floating either through sea or space, or at least listening to the most appropriate planetarium soundtrack ever recorded. oh so quiet echoes begin to bleed through, sounding like nothing quite so much as pensive whale calls, a mother mourning the untimely demise of one or more young.
third track "chasm" organically flowed into via the basic themes of the first two, vastness, oceans and deserts, universal void. after the introduction it breaks away from the motif. the first overt signs of mechanical tinkering are heard, distinct pedal oscillation contrasting against earlier organic effects alchemy. the voice of a southern church leader drifts out of the abyss, extolling at length the virtues of christianity and states' rights circa civil war, restrained in accent but not in ideology. momentarily bile rises in my throat at the sound of a confirmed enemy, but as the preacher's voice fades and is replaced by the cries of gulls i smile. i sense, i hope that this ending intends to imply what i personally draw from it: "the ocean" intimately confirms the futility of myopic, miasmal human thought patterns in the face of an infinitely complex universe.

-CJ

The Free Pop Arkestra

2009-07-05T09:27:00.000-07:00

New Myspace, New Music coming soon...
7" release date July 30th.

http://www.myspace.com/thefreepoparkestra

Tour Dates: Sabertooth Cavity & the free pop arkestra.
Jul 30 2009 8:00P TBA (w/ death convention singers & more tba) Albuquerque, NM
Jul 31 2009 8:00P House Show (w/ Animalista) Uptown Whittier, California
Aug 1 2009 8:00P The Pharaohs Den Cultural Space Center Riverside, California
Aug 2 2009 8:00P Ricky Genes Lomita, California
Aug 3 2009 8:00P Luna’s Cafe (w/pregnancy & bee's for sea's) Sacramento, California
Aug 4 2009 8:00P THE WHERE? HOUSE Ashland Orgeon
Aug 5 2009 8:00P Hemlock Tavern (w/Soft Serve & Saberteeth) San Francisco, California
Aug 6 2009 8:00P tba tba, Oregon
Aug 7 2009 8:00P New Crompton(w/TBA) Seattle, Washington
Aug 8 2009 9:00P The imperial shit hole. Denver, Colorado
Aug 9 2009 8:00P tba Denver, Colorado

2009-06-05T11:19:00.000-07:00

RAVEN CHACON - BLACK STREAKED HUM - Featherspines #20

The tape kicks off with the title track and seconds into the gently repetitive acoustic guitar phrasing and sleepy vocals I'm already floating along the border between space and sky. Everything here is soft and velvety and persistently consistent. It sounds slightly sad, but refuses to be morose or expository: "this is where we used to carve our names." Another short lyrical phrase that keeps drifting out of this blisspool of a song, "way up here...", keeps me meditating in the stratosphere until this track gives up its ghost quietly and slinks along into "Hastaa'". And then I meditate some more. The repetitive guitar quality is replaced by a metronome-consistent single drum pound in such a perfect way that it's not so much one song ended and another began as it is the first track briefly cocooned itself and then emerged back into the world quite transformed but not a different creature. Haunting female chant-vocals come quickly to prominence, followed soon after by a soaring flute. It all skates along atop a rushing-through-the-wind texture, and I can't stop thinking about great expanses of blue-black skyspace. The synergy between the first two tracks is fairly stunning considering that from what I can gather from the minimal liner notes, there's a good chance they were recorded years and miles apart. It makes sense, though; cosmic return drips from this music. A switch back to a lone acoustic guitar kicks off "Cheii Haashi'too". It begins as quietly as the other tracks, but soon harmonized Native vocals join the strings and the tempo and volume swing up into what becomes the loudest track on the tape. It swings back and forth in tempo, a folk hybrid changing gears, and is over too soon. The lone b-side, "Song for Eight", is a quietly contemplative chamber piece, and it provides a nice long glide path down from the cloud the first three tracks had me on. The sounds spiraling out of my speakers do to my ears what a hypnotist's watch does for the eyes, and before the song reaches its understated ending I'm stuck firmly in the state of lucid dreaming that this tape has been working me towards the whole time. "Black Streaked Hum" is a mini-masterpiece of restrained modern lullabies that yearns to give your subconscious some serious tender lovin' care, and it's a pill I'm glad to have swallowed.

MONGST - A POISON STRONGER THAN LOVE - ISOLATED NOW WAVES #203

I pop the tape in. But actually it's not that simple. The tape, it's a very pretty, textured green and blue thing, I can't tell which side is which, and I don't know whether it's the tape or the deck but initially its harder to get aligned, in and going than a first fuck. I keep at it though, I don't ruin the tape, I hit play. Something like an affected land line dial tone sandpapers my eardrums. The noise works a slow build, it gets louder, it gets layered. Deep fuzz oscillates to the groove of damned electric souls screaming out their circuit tortures. It all comes crashing to an abrupt end, bam, next track. We're back at square one with some droning ambiance. A gut instinct tells me its going to drone for a while, maybe get louder, maybe weave more and more instruments and effects in. A little time passes and I'm wrong, the track is locked on message for the duration, a bird dog willing to starve to death before it stops pointing, a jungle soldier never coming home because no one told him the war was over. Another abrupt end, this time not just the track but the tape, and I realized I've listened to the b-side first. When I flip it I find a whole new beast playing a-squad. Apparently this is not all the languid, slowly-unfurling kind of noise. No, this side is a much more aggressive kind of noise. It's reminding me of Some Girls tossed into a blender with self-aware noise boxes and razor blades. Maybe the b-side is supposed to be a nice downer-aided come down from the speed trip of this one. This thing is a lurching dreadnought held together by fuzz and howls and satisfyingly primitive drum smacks. Don't let me suggest more structure than there is though; despite the fuzzglue and occasional, unreliable, crusty punk actual riffs this joint stays in the business of mindfuck all the while, and business is pretty good. The a-side ends and I feel like I need a shower, but I listen to the back again to give the thing its due as a whole, and I find that the track order really is pretty effective. It's an asteroid slamming into an atmospheric wall, burning its brightest at first and winding down to a quiet end more smoke than flame, all in all fairly dazzling if not entirely uncommon.

ODNILA G - EL NAGUAL - Hypemachine #10

It is glass morning. Smooth sounds carve rough layers through the oxygen in the room. It's all easy times for the first couple minutes, almost traditional. That all changes once the cheese grater starts crawling prongs down across a cable somewhere, humping until a blown nest of speakers is dragging bass belly across the gravel. It puts a band-aid on, it straps its fiberglass wings on and it soars some. It hits the movie moments where the broken but truly beautiful people touch one another's cheeks and the hipsters weep. Then some fucking xenocreature decides to pull a Sinatra, pull a real American, right on top of a zietgeisty marching jam. Once its speech is over I find myself whipnecked into a Norse blizzard, soon subjugated to a new voice, a pubescent serial killing state Trooper. He chants strong, he drones on and before you can wiggle he's got friends over, he's got stigmata bats wailing to the pantheon for some bugcrumbs. Class, sesssion, class. dismissed. Another clifffall this asshole drowning underwater chained by the ministrations of an acoustic guitar, some delay, a solo from Sonic: Hedgehog. Some croon. Unreturned circus porn videotapes whine backwards in hippsocream. Highschoolscream punches for the arm, or the stomach, or the ear. Thermals vibrate on my coattails like a girl in a grasss skirt. Ancient esctatations claw ways out from under verdant canopy. Throbbing hum of a million motherboards. Aliens back, ready for the sequal with photons and lasers and ex-Rays. My newborn nuclear submarine blows bubblekiss skyward. We chug along, read to unzip space and time with godfire. In El Nagual nature and machine have fused, have demonstrated to the western dunces exactly how they were never mutually exclusive in the first place. El Nagual is not music and pisses on the notion. El Nagual is plasma trickling from a scabtorn fleshwound in the simple weave of threadee existence. El Nagual is what electrons sound like when they bother to sing.

**By CJ Burton

Astro timeless immortality

2009-05-08T16:00:00.000-07:00

~`~`~`~`~`~`~`~`~`~`~`~`~`~`~`~`

MOVED OUT

THE HATERS @ Small Engine Reserve

Yellow Crystal Star-Overnight Freeform Filth

Ydestroyde/3/23/11/SmallEngine/8pm

The Boredoms Organize Earthquake Relief

Please send donations via paypal:dmbq@dmbq.net

ALMS live in-studio performance

New Mexico on the go

Film Score Nite Returns! - ALL FOR NOW soundtracking Martha Colburn's Films

GONERS

Alto Arizona

Behind the Grind- Change up Mag

Mastermind #1

The Return of Fando

A/V EXP.

Small Engine:Big Room

NEW Sabertooth Cavity LP now available!!!

The Up Shot 2/5/11 Smll Ngn

New Artist.Same Window

Fred Frith - Hello Music

LEECHES OF LORE AT SMLL NGN

Window Works

Laura Ortman Cassette Release Party

ODNILA.G "MINGA" REVIEW//09

YESKA #2 //split cassette

Canal B review

SABERTOOTH CAVITY- EN LAK ECH-YESKA #3

EASYDISCS 4 & 5

8/29/09: HOUSE SHOW

Yellow Crystal Star / Black Guys - split c40 cassette "Rainbow Murder Michael Jackson " b/w "Minstrel Cycle" (Sssk#46, co-released with Hype Machine)

Free Pop Arkestra: "in cool time" FB #001

Odnila.G: Minga // SSSK #45

BALSAMIC GARDEN - THE OCEAN- Rhenium Records release

The Free Pop Arkestra

Astro timeless immortality

Please send donations via paypal:
dmbq@dmbq.net