First track "continent" opens with crashing reverb guitar strikes, slow languid things that drip you down into an acid western opium den. guitar continues, serpentine, american noir, shrugging off shy shallow snare n cymbal strikes, a slinking tomcat pushing nose into air defiant of time. the opioid groove is enough to push you back in your seat. several minutes into the eight minute-plus track i realize i've heard this somewhere before... neil young's soundtrack to "dead man" i think. by then the pure narcotic bliss induced has rendered me too ecstatic to consider whether its an homage or a rip-off. if hedonism itself could be transferred into a musical number, this track would take up a large chunk of the playing time.
second track "diving" comes off inversely-appropriately-
third track "chasm" organically flowed into via the basic themes of the first two, vastness, oceans and deserts, universal void. after the introduction it breaks away from the motif. the first overt signs of mechanical tinkering are heard, distinct pedal oscillation contrasting against earlier organic effects alchemy. the voice of a southern church leader drifts out of the abyss, extolling at length the virtues of christianity and states' rights circa civil war, restrained in accent but not in ideology. momentarily bile rises in my throat at the sound of a confirmed enemy, but as the preacher's voice fades and is replaced by the cries of gulls i smile. i sense, i hope that this ending intends to imply what i personally draw from it: "the ocean" intimately confirms the futility of myopic, miasmal human thought patterns in the face of an infinitely complex universe.
-CJ
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